Wednesday, February 14, 2007

Lost Ep 8: Flashes Before Your Eyes
In the most recent EW cover article on Lost, Damon Lindelof warned that this week's episode was going to feature a "flashback" that would be unlike any other, before or after. And was it ever. In fact, we could say this is the first episode that didn't actually feature a flashback at all.

Was Desmond's flashback really his life flashing before his eyes as he was imploding along with the hatch, or was it his mind flashing forward in the past, the way it does now? By the end of the episode, he confirms the former. "Flashes Before Your Eyes" gave us some flashes of his past, without showing us what really happened. Fionnula Flanagan guest-starred as a creepy fellow pre-cog who warns him that he can't change history. The old "step on a cockroach, change history forever" idea. Interestingly, Flanagan starred in Nicole Kidman's star vehicle, The Others, as one of ... gulp .... The Others.

In the "past," there were several indicators of life on the island, and little things hidden throughout:
-McCutcheon 60 whisky: this one is an interesting one, because he chuckles when Charlie shows him the bottle as if it really did exist in his past (which I believe it did) rather than him imagining it did
-he was painting the walls and ceiling red, which would have given it the same dark hue as the hatch
-the painting over their bed looked a lot like the mural in the hatch; same sort of unique strokes
-the digital clock says 1:08, which is what the countdown clock reverted to
-Pen tells Desmond it's not the end of the world
-the microwave beeps like the countdown clock (ooh, I have a great story about this. I was in a Loblaws a week ago and walking down one aisle, and all of a sudden I totally heard the countdown clock: same note, same tone, timbre, everything. I looked up from what I was doing, actually stopped shopping and followed the noise, and realized it was the scanner, and the cashier was putting the items through at exactly the same pace the clock would have using. Creepy.)
-the delivery guy at Widmore has a delivery for 815, two of the numbers
-in Widmore's office, there's another painting that looks similar to the mural. This one has NAMASTE written backwards on it (Marvin Candle says that at the end of the Dharma videos); there's a Buddha sitting upside down at the top of it, and a polar bear in the middle. A little row of roof peaks appears at the bottom, as if they're a row of houses, and on the hatch mural there's a row of houses at the bottom.
-the boat in Widmore's office is the one Desmond uses to race around the world in.
-running into Charlie and recognizing him from the hatch. Clearly this is before Drive Shaft, because if it were after, and this was Charlie Pace after the breakup of the band, when Des says, "Where do I know you from?" Charlie would have said, "Drive Shaft." Also, Charlie is fresh-faced and pleasant, and not snarly and drugged-out.
-hearing Mama Cass's "Make Your Own Kind of Music" on the jukebox

Questions:
-why does Widmore act like he doesn't know who Desmond is, when Des has been with Pen for 2 years and they're about to move in together?
-Widmore tells Des he'll never be a great man. Is he just unnecessarily cruel? (I'd take a yes on that one.) Or does he also know Desmond's path somehow?
-what's with the British Indian physics guy on these shows? Couldn't Desmond find Mohinder Suresh in his moment of need? It's almost becoming a stereotype on genre television.
-what did the woman in the ring store mean when she said, "Every single one of us is dead?"
-is pushing the button really going to be the only great thing Desmond ever does?
-when Penelope says, "Whatchoo talkin' 'bout?" was anyone else expecting her to call him Willis?
-is the ring really sitting at the bottom of the Thames?
-can Charlie escape his fate?

Highlights:
-"Written by Damon Lindelof and Drew Goddard."
-No Nikki. No Paulo.
-Charlie finding Sawyer's porn.
-Charlie singing Oasis's "Wonderwall" on a street corner. Hahahaha... since Drive Shaft is clearly an Oasis ripoff, that was hilarious.
-Charlie looking at the crowd and saying, "This is why we don't do drugs." IRONY.
-one commercial break had a clip of Gene Kelly doing "Singin' in the Rain." Ah. A reason to watch commercials.

Did You Notice?:
-when Charlie's going through Sawyer's stuff, he hands Hurley a stack of books and Hurley pulls off Vladimir Nabokov's Laughter in the Dark, which is an early book by the author. It's the story of one man's downfall through a sexual obsession, and how he leaves his wife for a younger mistress, and eventually destroys his life. More fun beach reading for Mr. Ford.
-Desmond tells Widmore that he was in the Royal Shakespeare Company, which was where Henry Ian Cusick actually studied.
-he says he had to look after his three brothers after his father... and then he's cut off. Did his father die? Get put in prison? Leave the family?
-Des asked Donovan about time travel, and the physics of it, and last week we saw Ando, the guard for Carl, reading A Brief History of Time, which talks about time from a physics standpoint
-when Des first goes to the ring store, the woman tells him it's clear he's a first-timer, yet she knows he isn't.
-in the ring store, there are clocks everywhere, a huge indicator of Time as the theme of this, and many other, episodes of Lost.

Oops:
-the picture we've seen Desmond fingering so often has him wearing a red windbreaker with much shorter hair. When they tried to recreate it here, he's wearing a red dress shirt and has long hair
-Des takes a long look at the Royal Scots recruiting posters, which say HONOR in big letters. In the UK, HONOUR would be spelled with a u (the same way us Canucks spell it). Also, why would there be Royal Scots posters in London?? Wouldn't they only be in Scotland?
-the photographer handed Desmond one copy of the photo of the two of them, yet at the end of season 2 Pen had that same photo on her bedside table. How did they get 2 copies of it?

Music: When Des is trying to tie his tie, you can hear Sarah McLachlan's appropriate "Building a Mystery."
You come out at night
That's when the energy comes
And the dark side's light
And the vampires roam
You strut your rasta wear
And your suicide poem
And a cross from a faith that died
Before Jesus came
You're building a mystery

You live in a church
Where you sleep with voodoo dolls
And you won't give up the search
For the ghosts in the halls
You wear sandals in the snow
And a smile that won't wash away
Can you look out the window
Without your shadow getting in the way?

You're so beautiful
With an edge and charm
but so careful
When I'm in your arms

Cause you're working
Building a mystery
Holding on and holding it in
Yeah you're working
Building a mystery
And choosing so carefully

You woke up screaming aloud
A prayer from your secret god
You feed off our fears
And hold back your tears, oh
Give us a tantrum
And a know it all grin
Just when we need one
When the evening's thin

You're a beautiful
A beautiful fucked up man
You're setting up your
Razor wire shrine

Cause you're working
Building a mystery
Holding on and holding it in
Yeah you're working
Building a mystery
And choosing so carefully

Ooh you're working
Building a mystery
Holding on and holding it in
Yeah you're working
Building a mystery
And choosing so carefully

Yeah you're working
Building a mystery
Holding on and holding it in
Yeah you're working
Building a mystery
And choosing so carefully
You're building a mystery

The end of this episode was heartbreaking, as Desmond pleaded with the Fates to let him go back so he could change things. But the real shocker came with the revelation that Charlie's a marked man. All this time it seemed to be Claire he was saving. Does this make the earlier episode inconsistent? He walks up to Claire and tells her to move away from the tent, that she and Aaron should be elsewhere. When Charlie comes up, he just walks away. Why doesn't he tell Claire to take Aaron and Charlie?

Whew! What an episode!

Next week: Stranger in a Strange Land, a Jack episode, where we'll apparently find out about Jack's tats. Bai Ling guest stars. Here's hoping for a largely silent role.

Tuesday, February 13, 2007

Veronica Gets Her Head in the Game
It's official: Piz has NOT killed Wallace and hidden him under the floorboards of their dorm room. Wallace returned this week to little fanfare (Veronica didn't act like she hadn't seen the guy in three months, and he pretended to be knowledgeable about her relationship with Logan). The mystery of week was intriguing -- moreso than the long-term mystery of Dean O'Dell's murder: after having a big argument with his son the basketball player, the coach of the basketball team is found murdered. It's like Troy and Coach Bolton from High School Musical.... with a twist. My pal Crissy and I were DYING for a reference to the Disney film -- maybe Wallace would say he has to get his head in the game, or Veronica, in an impassioned speech to her father, would argue that they need to work in tandem on the case, "Dad, we're all in this together." Or maybe Logan could call up Veronica and moan, "Veronica, I can't take my eyes off of you." To which Veronica would reply, "Well, if you're going to continue to say 'off of,' you can just turn and walk away NOW." Wallace could be Chad, Mac could show up as Taylor, Veronica could be the Gabriella. But sadly, the writers probably figured their demographic is far too old to be caught up in High School Musical, so they didn't include any. (Crissy and I shuffle our feet, kick a couple of rocks, cough, look up at the sky, try to change the subject...)

This week's ep was a lot of fun. Dick, always living up to his name, ran away to Vegas for a quickie marriage, and wanted an annulment a day later. He promises the still-in-mourning Logan that he can have the hot sister that his girlfriend will be bringing over. My husband, expecting the hot sister when they walked in, said, "Is she a dwarf?" And he was serious. I nearly fell off the couch laughing (still my favourite moment of the episode). Ah, I love him. No, it was her 11-year-old sister, who loves video games, animated films, and romance. Her infectious enthusiasm rubs off on Logan, who comes back to the land of the living.

The basketball coach's son becomes the prime suspect, but Veronica believes he's innocent. Meanwhile, Dean O'Dell's wife is becoming more and more suspicious but insistent that she's innocent, and Keith doesn't trust her as far as he can throw her. Who's lying? Who's telling the truth? Is Veronica gullible? Is Keith missing the point?

And what happened at the end? Veronica makes cookies for the coach's son, who is sitting in jail, and hides them in a copy of a book. Next thing you know, she's being arrested for aiding and abetting the escape of the kid. My theory? He has a peanut allergy. Not a serious one, but a mild one that would cause a reaction, ambulance comes, he's moved, and he escapes en route to the hospital (or while IN the hospital). Either way, it would explain why he specifically asked for peanut butter cookies. I guess time will tell!

For any Canadians watching Veronica on Sun TV, are you as gobsmacked by those two crazy chefs who usually appear on the commercial break about 3/4 of the way through the show? They are INSANE.

In other news: America's Next Top Model is back!! February 28th will be the 2-hour season premiere. I'm SO excited!!
Heroes, Ep 15: Run
Is it just me, or have the last two weeks of Heroes been less-than-stellar? I think we could point to one reason: Hiro and Ando. They've gone from a charming, sometimes bickering twosome on a mission to a couple of slapstick characters, a modern-day Abbott and Costello, running about and getting into all sorts of mishaps. Hilarity doesn't ensue. Last week's H&A adventures were a little more interesting, because they involved Hiro's dad telling him to come home, and Hiro having to evaluate why his mission is still important to him, despite having lost his powers. But this week's was just stupid. It was clear they were being played (they had the woman in the preview unveiling herself as a con artist, so they'd kinda given THAT one away), so there was really no suspense or surprise. The H&A segment ended with the guy being from the Gaming Commission. Ooh. Oh no. I guess now we have ANOTHER week of Hiro and Ando NOT getting to Linderman and NOT going forward with their adventures. Sigh.

What was that the critics were saying about Lost not being as good as Heroes? At least Lost sustained one complete season before fans started complaining.

Of course, I'm not here to completely diss this show; I love it. After Lost, it's my favourite show on TV. But after a STELLAR first eleven episodes, they haven't been able to uphold the momentum, and that's what has me worried. I hated the "save the cheerleader, save the world" mantra, but at least it was leading to something. Now it's not clear where any of this is going. And I'll take "save the cheerleader, save the world" over the bombastic NBC, "Somebody flies... somebody dies." It became an onrunning joke between my husband and I during the episode. Hey, do you think he'll fly? Or DIE?

The Sylar story, of course, was awesome. We're introduced to a new potential hero, Zane Taylor, and Mohinder thinks he'll be able to reach just one person. But when Sylar gets there first -- and actually puts on the guy's T-shirt after slaughtering him :::shudder::: -- Mohinder appeared to be walking into a trap. Ooh, maybe Mohinder dies?! Or do you think he'll fly? I couldn't help but think as I watched the scene of the sadistic Sylar talking to Mohinder oh-so-calmly that this was the guy who only a short while ago was an unassuming watchmaker. Power has destroyed him utterly, and now he's SO creepy good I love every minute of him on screen. It's like watching Henry Gale last season on Lost. I was pretty worried Mohinder was going to be next, and my husband said he didn't really care, but I did. In the struggle for good over evil, Sylar and Mohinder are polar opposites -- both are trying to bring the heroes together, but one is doing it for good, and the other to destroy them. When they joined forces (ACK! I didn't see THAT one coming!) it ramped up the Mohinder storyline to a whole new level of interesting. I can't wait to see where this terrible twosome goes next. How long will it take Mohinder to catch on? Why isn't he aware of Sylar, yet he's been able to track down all these other people?

Matt was back, reduced to security detail on a guy who sees him as nothing but a working stiff. (Moments when you really don't want to hear the thoughts of others, #481.) When the guy is the target for new hitwoman Jessica, it changed everything for Matt, and for a while there it looked like one of the heroes was going to off another. Niki/Jessica has been a weird combo from the beginning, and again, whenever the storyline moves to her I let out a big sigh and hope something interesting will happen. The only time she was truly interesting was at the very beginning, and when she was separated from Micah. Then she became cool, but otherwise she's just not doing it for me. I like the actress, but I'm just not terribly interested in the characters. Matt stands in front of the elevator doors, and they suddenly whip open. Somebody dies? Oh... he's gone. He sends the mark off in one direction and he goes in another. Suddenly, he's thrown out a window. Oh my god... will somebody fly... AND DIE?? and from what we see next, it appears Jessica literally rips the 300-pound man in half. Then arranges him with head next to feet. ICK. Why is Jessica so inhumanly strong? Why do her powers render her psychotic? Just before Matt takes a header out the window, however, there's an interesting moment where he hears both Niki and Jessica talking on the stairs. Niki leaves her reflection and becomes an actual person standing on the stairs talking to Jessica... or does she? After all, the only two witnesses to the split body are Jessica, who is insane, and Matt, who is only listening, and therefore could just be hearing her thoughts. What makes me think he wasn't just hearing her thoughts is there wasn't that weird, muddy whooshing sound that usually accompanies his telepathy; instead, it sounded like he was overhearing a conversation.

Jessica isn't the only one losing her mind -- Mrs. Bennet is, also... quite literally. Looks like the Haitian is draining more than just her most recent memories. Is Bennet moved by this? Is he worried about his wife? Or does he care about her? How evil is this guy? On the one hand, we've seen that when he hates, he hates with such a horrible passion nothing gets in his way, and he seems to have a heart of stone. But when he loves, he loves with an equal passion: witness the way he protects Claire. Does he feel that same sort of protectiveness toward Claire? It was especially heartbreaking when she not only didn't recognize Claire by the end of the episode, but no longer knew who Mishtoo Muggoosh was. (For a second, I thought he was going in the pot of boiling water.)

Speaking of Claire, she gets a step closer to meeting Daddy, but Fire Mommy brokers a deal with Nathan instead of looking for a joyful family reunion. He offers her $100,000, and she tells Claire he'd offered $50,000, and that Claire was entitled to half (on the one hand, check out Scummy Mummy; on the other, I guess she didn't really have to tell Claire anything, and she did). In a conversation with his mother, Nathan tells her that his daughter has come out of the woodwork, and she refers to him as a "glorified sperm donor." What does she mean by that? Is she just being sarcastic, and she's cruelly referring to a one-night stand, or is there something more to it? Were his powers discovered years ago and he was part of some genetic experiment to take two mutants and make a new one? When Nathan and Claire's mom are talking, they discuss the relationship as if it's something long past, but a relationship nonetheless. Poor Claire; watching her overhearing her mother talking to Nathan was pretty painful, and the actress did a really good job in the scene. There seemed to be a look of recognition when Nathan saw the picture on the camera phone. Has he seen Claire before? Does he recognize her from one of Isaac's paintings? Did he run into her at all when Peter was in jail and she visited him?

And so... why is Nathan the next on Linderman's hit list?

Next week: Mohinder and Sylar join forces; Claire confronts HRG about the memory lapses; Mrs. Bennet collapses; Claude fights Peter and says he was trying to escape "them"; Hiro and Ando get caught in a gun battle and it appears Ando is hit. Will Hiro finally get his powers back?

Sunday, February 11, 2007

Lost forced to reshoot scenes
Ah, the crack security teams at airports. You gotta hate 'em. I blogged a couple of months ago about my own woes of going through airport security, but at least the security guard stealing my things didn't cost me upwards of $200,000. The Honolulu Advertiser is reporting that film of Lost that was being transported from Hawaii to L.A. for processing was accidentally put through the X-ray machine -- and therefore deleted -- despite huge warning labels on the canisters telling them not to. Come on, people, these security guards work long, hard hours. You don't expect them to know how to READ on top of everything else, do you? (That same day, a SECOND film canister containing a commercial for the Bank of Hawaii was also X-rayed and destroyed. Awesome.)

The crew was forced to go back and reshoot an entire day's worth of scenes that were lost, which included calling back the cast, redressing the locations, etc. An expert said that with Lost costing between $1.5-2 million per episode for an 8-day shoot, they're probably looking at a cost of at least $200,000 to fix the problem. However, they're reassuring us that it doesn't put the show behind schedule, and everything worked out fine in the end. Except for that inevitable lawsuit. Let's just hope that original film didn't contain some massive dramatic scene that Jorge Garcia just nailed the first time, ensuring his Emmy nomination. We may never know.

Thursday, February 08, 2007

Lost, Ep 7: Not In Portland
So after much fan criticism that we didn’t see any of the ensemble cast in the first six episodes, Damon Lindelof and Carlton Cuse promised the next 16 would focus on the beach and we’d see what the heck was going on over there. Um… I think I saw Hurley, off in the distance, collecting shells. Or maybe it was a bird. But otherwise, this episode focused entirely on Kate, Jack, and Sawyer… and Juliet.

And what a great episode. Forget criticism – I loved it. I hope the ratings are good for this ep, and they’re able to pull in and keep the naysayers who’ve been threatening to leave. The flashback focused on Juliet, and we saw her working in a science lab specifically on fertility experiments, under the thumb of her ex-husband, Edmund Burke. Burke was played by the always slimy, always loathsome Zeljko Ivanek, who I remember best as the governor on Oz (ANOTHER Oz refugee on Lost! We know what happened to the other two…) As he bangs his new research assistant, Juliet is stealing fertility meds that she can take home and inject into her sister, whom she’s trying to make pregnant. Her sister appears to have cancer, and everyone thinks Juliet is wasting her time… until her sister actually conceives. Meanwhile, a mysterious organization has come to recruit Juliet for her unconventional experiments, and they say they’re located in Portland and it’s research part of the time, fun fun superfun the rest of the time. She turns them down, saying her ex-husband would have to be hit by a bus before she’d be able to do it. And then… he’s hit by a bus. At the morgue, the guy returns, along with Ethan Rom (who’s looking a lot more haggardly than when we last saw him) and they ask if she’s now ready, and she comes to the horrible realization of what they’ve really done. She asks to bring her sister, and they say where she’d be going is too far away for proper treatment of her sis, that it’s not exactly in Portland. (“No, ma’am, it’s actually this small island in the South Pacific with polar bears and sharks and egomaniacal leaders and you will LOVE it!”)

Meanwhile, in the present, Kate and Sawyer are on the run, Jack’s running out of time. Tom, who’s actually kind of likable and entertaining in this episode, begs Jack to stop all of this, and then Juliet suddenly turns weird and orders one of the Others to catch Sawyer and Kate and kill them if he has to. Jack blurts out what Juliet had told him to do with the cue cards, Juliet denies all (what happened to good ol’ trustworthy Juliet?) and Tom sends her out of the room. Ben wakes up (gah!) on the table with a giant incision in his back, mutters that he needs to see Juliet, and she returns, with everyone else leaving and seeing a very emotional conversation between them. “They’ve got history,” Tom tells Jack.

Kate and Sawyer are rescued momentarily by Alex, but not so fast… she needs them to help her rescue Carl first, and until they do, she won’t give them her boat. Off they go to the compound where he’s being held, they knock out the guard (only after he radios to Danny that he’s got them there) and they enter the room where Carl is sitting. And MAN… Alex from Clockwork Orange never had it so bad. What is going on in that room is a mind-frak of such huge proportions it doesn’t seem humanly possible. Carl is strapped to a chair, with some sort of IV being pumped into his hand. Music blares from speakers so loud you’d think it would render the person deaf in two days. On the screen in front of him is a combination of the messages U2 showed on their screens during the Zoo TV tour, and a Fruitopia ad, mixed with montages of strange, iconic images. Carl is wearing goggles with some sort of fluorescent light that keep his eyes open, rather than the clamps holding Alex’s eyes open in Clockwork Orange. Flashing lights and strobes make the room look like a rave. It’s all so hostile and confusing I would have run screaming from the room after about 30 seconds if I’d been Kate. Since Alex and Ben now seem to be linked in some father/daughter relationship, it makes this treatment even more sinister. Some overprotective fathers threaten the boys who come near their daughters with a baseball bat. Others, apparently, subject them to horrific psychological torture.

In the OR, Juliet comes out of the room and says she’s going to help Jack’s friends escape, but he needs to complete the surgery. He scrubs back in, with Tom “I don’t like the sight of blood” as his nurse, and begins to pull off pieces of the tumour. Jack, Kate, Carl, and Alex get to the boat, with Danny on their heels. Just as he holds up a gun to Sawyer, he’s shot (gee, never seen THAT before in a TV show…) by Juliet, and with gratitude, they grab the boat. But, oops, Alex, you can’t go, you know what your father would do if he knew you’d left the island. Alex stands there, torn, but knows the best thing right now is to get Carl to safety. Also, her vengeful mother is on the other island, waiting to find her long-lost daughter, and if Kate can track her down, maybe Rousseau will be heading over to Alcatraz. Ben thinks he’s met his match with Jack? He hasn’t met Rousseau. Kate radios to Jack and tells him the story he’d told her in the pilot episode to prove she’s safe and then he makes her promise to not try to come after him, and they sail off, leaving Alex behind. Jack sews up Ben, and he sits and stares at him afterwards as Juliet comes in. She tells him she’s been on the island for three and a half years, and Ben has promised he’ll send her home if she can convince Jack to do the surgery.

Any Questions?: -what was up with Juliet and her cue cards? Is this part of the experiment, to see if Jack will trust her, and go along with her and try to kill Ben, going against his Hippocratic Oath? Maybe they didn’t anticipate that kidney incision? Or was Juliet really working alone, and now had to save her butt?
-is Tom out of the loop, or perhaps the best of the actors?
What is the groundbreaking research that Juliet was doing on her sister? Has her sister been rendered sterile by cancer treatment, and Juliet was trying to make her fertile again?
-how did Dharma find her? (if that is indeed Dharma)
-did Ben really tell Juliet she could leave? What else did he say to her?
-is her sister still alive? Did she have the baby? Does Juliet know?
-Juliet impregnated a male field mouse. Are they interested in impregnating a male? Is Ben’s tumour in fact a failed pregnancy?
-Danny says Ben would rather die than let Kate and Sawyer go. True? Or would Danny rather see Ben die than let them go?
-will Carl survive? How will he be affected?
-what was the purpose of the torture? Shouldn’t the Others be PROMOTING sex?? Or is Ben like Dick Cheney: ban gay marriage, but praise his own gay daughter’s pregnancy?
-what will the Others do with Jack now?

Highlights: Alex’s underground hiding spot
-Sawyer referring to the Wookie prisoner gag
-Edmund on the phone: “Because you’re insufferable and you’re mean. Well, you asked me for the truth, Mom.”
-No Nikki. No Paulo.

Didn’t like: The bus accident. Special effects were terrible, and it just didn’t make any sense. Why did he step out into the road? It wasn’t a parking lane, it was a two-lane road. Moments earlier, we saw the bus parked, letting people off. So at most, it would have been going maybe 20-30 km/h, despite the fact most bus drivers have lead feet. He was standing in the lane long enough the bus could have slowed or beeped its horn. IF it was driven by a Dharma person who was out to kill him, how could they have anticipated he would have stepped into the road and stood there like an idiot for so long? It just doesn’t make sense. Oh, and if he’d been hit by a bus going that fast, he wouldn’t have two scratches on his face. His head would have been crushed.
-the fact they made serious spinal surgery look like a 45-minute procedure.
Did you notice?: the guard Aldo was reading A Brief History of Time, and making notes. Is he studying to be a researcher?
-Carl was in Room 23.
-here were the messages broadcasted to Carl (which seem to be promoting sex, actually): “Plant a good seed and you will joyfully gather fruit.”
“Everything changes”
“We are the causes of our own suffering”
“God loves you as he loved Jacob.” (This one is interesting because of the mention of "Jacob's list" earlier in the season.)
“Think about your life.”
-as they left the room, you could see a picture of Gerald de Groot on the screen; he was one of the founders of the Dharma Initiative.
-there were two major references to The Lost Experience, the online game that happened this past summer. It was established in the game that Thomas Mittelwerk was the president of the Hanso Foundation. The group that recruits Juliet is called Mittelos Bioscience. Also, Juliet’s sister was Rachel, and the main character of the Lost Experience was Rachel Blake, who was trying to take the company down from the inside, before she realized that Alvar Hanso was actually her father.

Interesting Fact: Juliet’s ex is named Edmund Burke. Burke was a political theorist in the 18th century (same era as Locke and Rousseau) who was opposed to the French Revolution and supported the American one. He was in a Whig party in England, and is considered the father of American conservatism.

Next week: A Desmond flashback in “Flashes Before Your Eyes.”

Wednesday, February 07, 2007

Previously on Lost…
Tonight is the big return of Lost after a THREE MONTH hiatus. For most shows, that’s the equivalent of a full summer hiatus, and we’re all a little foggy in September about what happened way back in April and May, so here is a primer to help catch you up by reminding you of what happened in those first 6.

The season 2 finale ended with the hatch imploding, the sky turning violet, a loud screechy noise piercing everyone’s eardrums; Charlie walking out of the volatile area looking shaken but unharmed; Desmond, Locke, and Eko trapped inside the hatch; Jack, Sawyer, and Kate being kidnapped by the Others, and Hurley being sent back to the beach to tell everyone not to try to find them; and Sayid, Sun, and Jin on a boat circling the island. Then, to top it off, two men in a hut in a blizzard receive a signal indicating where something is (presumably the island) and they call Penelope, Desmond’s girlfriend, to tell her they’ve found something.

Oh, and that last part wasn’t touched on AT ALL in the first six, so let’s move on.

The first episode was called A Tale of Two Cities. It opened with a flashback to the day of the crash, when a woman in a house is conducting a book club on Stephen King’s Carrie, and they hear a loud noise outside. Everyone rushes outside to see a plane breaking apart in the air, and the man known to us in season one as Henry Gale comes rushing out of his house. Guess what? We’re on the island, and this is the little commune of the Others (complete with running water, electricity, etc.) The main flashback (Jack’s) focused on his erratic behaviour following the breakup of his marriage to Sarah. He begins thinking his father is having an affair with her, but it’s not true, and his refusal to let her go is what dogs him. In the present, Jack is brought to an indoor room with a glass partition. He’s on one side with a large metal table and several chains hanging from the ceiling. Juliet, the woman from the opening, comes to him trying to get him to eat and realize he can trust her, but he doesn’t. Henry Gale – now known to us as Ben – lurks outside the room, looking for updates of Jack’s condition. When Juliet gets a little too close, Jack grabs her, moves out into the hallway, and opens what turns out to be a door to the ocean. It’s stopped in time, but Jack now realizes he’s being kept in an aquarium underwater. Juliet brings in a complete file on Jack’s life, and reveals that they know absolutely everything about him. He asks if Sarah is happy, and Juliet says yes, and at that moment he lets it go. Meanwhile, Sawyer awakes in an outdoor metal cage. There’s a button with a fork and knife on it. He pushes it, nothing. Again, nothing. Third time, big electrical jolt. He eventually figures out how to hold a rock down on one section, stand in another, and throw his shoe to the button, and he gets rewarded with a bunch of seeds, water, and a fish biscuit. Another man in the cage opposite, named Carl, escapes, tries to get Sawyer to escape, but he’s caught too soon. Kate wakes up in a shower. Tom (Mr. Friendly from season 2) gives her a dress, and Ben has breakfast on the beach, telling her that the next 2 weeks are going to be very difficult. When she’s brought to Carl’s cage, Sawyer is concerned something’s happened to her, and she’s acting strangely.

The second episode was The Glass Ballerina. The flashback belonged to Sun and Jin, and we catch up with the two of them and Sayid on the boat. Jin is arguing with Sun about how they need to go back, despite Sayid wanting to stay and wait for Jack to return. The flashback revealed Sun’s affair with Jae Lee, and her father walking in on the two of them in bed together. Mr. Paik calls Jin into his office and tells him he needs to kill Jae Lee to preserve the family honour, that Jae Lee has taken something from him. When Jin confronts Lee, he’s unable to actually kill him, and instead tells him to run far away and never come back. He goes outside to get into his car, and Jae Lee lands on the hood of the car. Seems Paik took matters into his own hands. In the present, Sayid docks the boat and decides to build a huge fire to bring the Others to them, and says they’ll kidnap 2 hostages (because one will talk if you threaten the other, a very important comment in light of what the Others have done). He tells Sun, and Jin figures it out, telling Sayid he understands more English than Sayid apparently thinks. Over at the compound, Colleen, one of the Others, tells Ben that they’ve spotted Sun, Jin, and Sayid with a boat. Ben is dumbfounded, and says he wants that boat. Colleen is married to Danny, known as Pickett in season 2, and she heads out with a couple of other… Others. Kate and Sawyer are taken out to an open area where they have to break rocks. Kate breaks them, Sawyer hauls them in a wheelbarrow. Several Others stand guard, while other people are enslaved. Alex, from the previous season, hides in the bushes and whispers to Kate, asking her if she’s seen Carl and if she knows what they did to him. Sawyer, thinking Kate’s pretty hot in her little dress, just strides over to her and kisses her in the middle of the day, getting beaten up as a result. Back over on the boat, Sun is below deck while Sayid and Jin wait on the shore. They don’t anticipate the Others will approach by sea, but they do, and board the boat. Colleen confronts Sun underneath the deck, and Sun has a gun. Colleen says they know all about her and everyone else, and Sun is a good person unable to shoot the gun. But she’s wrong: Sun shoots her, and manages to get on deck and throws herself overboard. They misjudged Sun. The episode ends with Ben telling Jack his name is Benjamin Linus, and they roll in a television to show him the Red Sox won the World Series while they’ve been on the island. Jack’s entire world view is changed as a result.

Episode 3 was Further Instructions, a Locke episode, and the only one of the six not to feature Kate, Jack, and Sawyer at all. (The events of this episode are meant to run concurrent with the previous two.) In the flashback, we go back about 10 years to where Locke picks up a young hitchhiker and takes him back to a commune where he’s been staying. The kid appeals to Locke’s gentler side, but he really wants to know what’s going on in the greenhouse, suspecting it’s a bomb. The people in the commune are happy to have the kid, and have embraced Locke with open arms. But when the kid is revealed to be an undercover cop, the people in the commune – and their grow op – are in serious trouble, and they all turn on Locke. Locke does the only thing he thinks he can do – take the kid out to the woods to shoot him – but he’s unable to follow through on it, and wonders if he’s a farmer, not a hunter. On the island, Locke has awakened from the blast, unable to speak. He asks Charlie to help him, and he builds a sweat lodge. Inside the lodge, he hallucinates seeing Boone, and Boone takes him through the airport, telling him someone here is in dire need of his help. He realizes it’s Eko, who’s been taken by a polar bear, and sets off to find him, with the help of Charlie. While in the jungle, they run into Hurley, returning from when the Others had kidnapped him. He continues on to the beach, running into a completely naked Desmond (hilarity ensues) and realizes Desmond seems to be able to see the future. Des tells him the hatch imploded, and in this episode we see what remains of the hatch (i.e. a giant, gaping hole in the ground). Locke finds the polar bear cave, manages to extricate Eko from it, but Eko’s not in good shape. He tells Locke that he’s a hunter, not a farmer, but then again, it appears Locke just imagined him saying it. This episode introduced us (sadly) to Nikki and Paolo, the unfortunate two newbies. Paolo stands on the beach going, “Duuhhhhh” and Nikki yells at Hurley two seconds after he’s returned and told them Jack’s been kidnapped, sniping, “WHEN were you going to tell us this, Hurley???!!!” To which he should have replied, “Oh, gee, maybe if I could have teleported here I could have told you sooner, but I just had to walk across this ENTIRE ISLAND. What have you been doing that’s so much more important? Peeling a coconut? Blending in with the sand and trees? Why don’t you just return to the background where you belong?” But… he didn’t.

The fourth episode was Every Man for Himself, a Sawyer ep. In this flashback, we see Cassidy charged him with conning her, and he faced prison time. While inside, he met Munson, a guy who’d stolen $10 million from the government and had it hidden somewhere. The warden was treating Munson better than the others, and Sawyer told him that it’s because he wants to know where the money is, so he’ll sidle up to him, then his wife, and they’ll take the money and he won’t get any. Eventually Munson comes clean to Sawyer, tells him where it is, and asks him to move it. Sawyer goes straight to the warden with the info, taking a cut, and gets the rest of his sentence commuted. He’d been conning Munson all along. Cassidy comes to visit Sawyer in prison, and shows him a picture of their daughter. He says it’s not his, but when the warden asks him where to put the money, he puts it into an account for the girl. More interesting than the flashback was the island stuff. Ben et al take Sawyer out of his cage and bring him into a room like Jack’s. They strap him to a table and put a shot in him, and when he awakes, Ben holds a cage over him with a bunny, and shakes it until the bunny keels over, dead and twitching. He says they’ve put a pacemaker in the rabbit and its heart explodes if the pulse goes over a certain number. Then he tells Sawyer they’ve put one in him, and if his heart rate exceeds 140, he’ll be dead. In the end, they’re conning him – “the only way to get a con man to respect you is to con him,” says Ben – but they do take him out of his cage at one point and up to the edge of the island… and point across the ocean to where the OTHER island is. Turns out, the Others are on an island that’s twice the size of Alcatraz, and escaping it will be about as likely as escaping that infamous prison. They’re stuck. Meanwhile, the other Others bring back Colleen, and Juliet begs Jack to try to save her life. As he’s scrubbing in, he sees some spinal x-rays on the wall and notices a tumour on one of them. He goes into the OR, but it’s too late, and he’s unable to save her. Danny goes nuts, runs out to Sawyer’s cage, and begins beating his head against the bars. Kate screams that she loves him, and it makes him stop. Over on the beach, Desmond tells Claire she might want to move away from her tent for the night, but she refuses to do so, so he builds a lightning rod near it, and sure enough, lightning strikes it, just barely missing Claire. Charlie stares at him, realizing Des is a little different now.

The Cost of Living was an Eko flashback. Immediately following the events of “The 23rd Psalm,” this episode shows what happened when Eko returned to his brother’s church. The militia shows up soon after Eko takes over as faux priest, demanding 80% of their biannual vaccines in return for “protection.” Eko goes to a black market trader to arrange a deal to sell some of the vaccines directly, and then massacres the militiamen when they come back. The people of the parish are mortified, and tell him that they have to board up the church because it’s no longer sacred, and he needs to repent for all of his sins. But, as we see in an even earlier flashback, his first confession was after he’d stolen food for his hungry brother. As far as Eko is concerned, why should one have to repent for doing what was necessary? The nurse adds, “You owe your brother one church,” finally explaining why he was building it. In the present, Eko awakes from his unconscious state, and makes his way to the Pearl hatch to see Yemi’s body, because he believes Yemi is contacting him. When he gets there, the body is no longer in the airplane. Meanwhile, Locke, Desmond, Sayid, Nikki (ick), and Paolo (blech) also tag along, and go down into the Pearl station. When Nikki (right… because SHE would have spotted this long before Sayid or Locke) realizes that 6 televisions must be watching 6 hatches, Sayid patches into one of them and they see a man in an eyepatch staring back at them, before he disappears. Up on the main ground, Eko follows a vision of his brother to a garden, where his brother asks him to repent. Eko refuses, saying he doesn’t have anything to ask forgiveness for. He never asked for the life he was given, but he lived it the best that he could. So he does not need to repent for anything. Yemi looks upset, but counters, “You talk to me as if I were your brother” and disappears into the jungle. Eko follows, but encounters instead the smoke monster, which grabs him, throws him against the trees, up in the air, and crashes him to earth. Eko whispers to Locke, “You’re next,” and dies. Meanwhile, over at the compound, Jack asks Ben how long he’s had the spinal tumour. The Others bury Colleen in a religious funeral service, and Ben comes to Jack telling him that they had a master plan all worked out where they’d manipulate Jack into thinking he’d chosen to do the surgery, but now he’s running out of time and needs Jack to want to do it. Juliet comes into the room to talk to Jack, but pops in a tape of her holding up cue cards instructing Jack to pretend to have an “accident” on the operating table, killing Ben. Can he trust her?

The final episode, “I Do,” was a Kate flashback that showed us her brief marriage to Kevin (we first heard of it when she played “I never” with Sawyer in season 1). Kevin, played by Nathan Fillion, is a loving man who knows Kate as Monica, not realizing she’s a fugitive on the run (he’s a cop, so this coming to light would have serious consequences for him). Kate is head over heels in love with him, and is distraught over the fact she’s deceiving him. She calls the marshal, who tells her he’ll stop chasing her if she stops running, but says he knows that’ll never happen. She takes a pregnancy test, and when it’s negative, she leaves Kevin, drugging him and confessing to everything. In the present, Jack goes through Ben’s file and says he won’t do the surgery. Kate and Sawyer go off to break rocks, and Alex shows up with a slingshot demanding to know where Carl is. She’s escorted “home,” says Juliet, but we don’t know where that is. Juliet walks Kate into Jack’s cage and tells her what to say along the way, and when Kate gets there she begs Jack to do the surgery, saying if he doesn’t, Danny is going to kill Sawyer. Jack, furious that he’s been put in this position, tells Kate to leave. Locke, Sayid, Desmond, Tweedledum and Tweedledumber bury Eko, and just as Locke is saying the final words, he sees the words “Lift your eyes and look to the north” etched on Eko’s Jesus stick, so he knows which direction to head to look for Jack et al. Danny tells Kate and Sawyer if they have anything to say to each other, do it tonight, because Sawyer dies tomorrow. Kate, who’s figured out how to get out of her cage, does so, and opens Sawyer’s and walks into it. He finally tells her there’s no escaping the island, that they’re trapped on ANOTHER island. She’s completely devastated, and wants to know why he didn’t tell her, and he said he wanted her to have the hope. She begins to cry, kisses him, and they make love in the cell. Meanwhile Jack hears over his com device to try his door, and he opens it, wanders out into the hall, grabs a gun from the armory, and just then looks up at Ben’s TV monitors and sees Kate and Sawyer in a post-coital cuddle. Ben enters, and Jack says he’ll do the surgery, but he wants off this island. Ben says, “Done.” The next morning, Jack scrubs in, Ben’s on the table, and Juliet is assisting. Danny goes to Sawyer’s cage, takes him out and holds a gun to his head. Kate screams repeatedly for them to stop. Suddenly, in the OR, Ben’s pulse drops. Jack turns to Tom and tells him that he’s made an incision in his kidney, and they have one hour to let Kate and Sawyer go or he won’t stitch it up and Ben will die. Tom radios Danny just as he’s about to pull the trigger, and he hands his walkie-talkie to Kate. Jack tells her to run, and if he doesn’t hear from her in an hour, he’ll know something happened. She keeps yelling back they CAN’T run, because Jack doesn’t know they’re on a different island, but he yells, “Dammit, Kate, RUN!” The end.
When tonight's episode airs, tune in an hour earlier for a recap episode that will bring viewers up to speed, and will probably remind us of events from the first two seasons as well. Tune in here post-show for a recap and list of questions!

Tuesday, February 06, 2007

Heroes, Ep 14: Distractions

In this episode, Claude begins to show Peter how to harness his powers, and Peter realizes that only by remembering how the carrier made him feel can he use their powers when outside of their presence. He also finds out the downside to being invisible is your girlfriend might be hugging her ex when she doesn’t think you’re looking.

Sylar escapes the cage, putting Bennet into it and going to the Bennet household. Mommy Bennet is home, with “Mishtoo Muggoosh” as she calls him, and Sylar moves about creepily, putting on a phony southern accent and pretending to be wholesome. The act doesn’t last for long, and not only does Mom end up going into the china cabinet, but her memories are erased by the Haitian immediately after.

Claire has gone to the aquarium, or so she’s told her mom (who, after the memories are gone, admonishes Claire for taking off like that) but in reality has gone to see her real mother. She cuts her arm with a chef’s knife and it heals, Mom flicks her fingers and creates fire – in other words, a typical family reunion. At the end of the episode, she calls Claire’s daddy… who turns out to be none other than Nathan Petrelli, which we’d already guessed in this blog.

Isaac continues to paint, and his pictures are getting creepier and creepier. There’s a taxi cab (the one that Peter crashes into?) and dozens of streetscapes in NY, but Peter’s not in any of them, which has Isaac confused. He obviously doesn’t know Peter can be invisible, and therein lies the mystery of why he’s not there. When he finally paints a picture of Peter half in half out of the scene, it all becomes clear.

Nikessica is visited by the shrink, who uses a metronome to try to lull Jessica out of hiding, despite Niki’s pleas to just let Jessica be. When the shrink says to her, “Those chains could hold down a bull elephant, and I know how to use a taser,” I thought, “uh huh…” and the result is pretty awful. Did everyone catch how mangled the shrink’s hand was on the floor, turned in the opposite direction that it should have been? Shudder… By the looks of the burn marks on the back of her jacket, it looks like Jessica knows how to use a taser, too. But the most shocking part is when she’s let go. They say that someone on death row has confessed to Nik’s crimes, and she’s free to go. After just brutally assaulting and almost killing a psychiatrist? I don’t think so… clearly a higher power is working this one. The ep ended with Nik trapped in the mirror, and Jessica free as a bird, about to go play Scrabble with her son.

Hiro’s story seemed to be a bit of filler, even though it was pretty entertaining. Daddy (a.k.a. Sulu) is upset that his son is out trying to save the world, and he rips the Linderman picture into quarters, and yells that he needs Hiro to come back, and will give him the position of executive vice president, despite the fact his sister Kimiko is so much more suited to the position. Hiro exposes the sexism in his father by pretending to restructure the company in a devastating way, and his sister jumps in telling him he’s all wrong. Daddy leaves Hiro alone, and heads back to Japan with his daughter, the new vice president. It was a disappointing storyline, but it was fun nonetheless.

MIA: DL, Radioactive Man, Matt, Mohinder

Fave moments: If you were looking closely, as the limo pulled away at the end carrying Hiro’s dad and sister, the license plate was NCC-1701. That’s the number of the Starship Enterprise. (My husband caught that one.)

Ando opening his arms to hug Kimiko, and the look on his face every time she walked up to them.

The look on Peter’s face after he’d fallen 30 stories and walked away from it.

All of the people bumping into the invisible guys and looking really confused. The guy with the coat rack was especially funny, even though the humour distracted us from actually following the important things Claude was saying.

Mrs. Bennet saying, “It’s so funny y’all know him as Mr. Bennet. I just know him as… stop chewing on that man’s shoelace, Mr. Muggles!” It would appear, by HRG’s driver’s license, that his name is actually Bennet, because that was the only name on there, and if you looked at the signature, it was simply, “Bennet.” So either the man goes for the one-named moniker like “Cher,” or the writers seriously copped out on this one.

Sylar moving his fingers and manipulating the environment.

Claire cutting herself and her real mom saying, “Some family.”

Questions: Claire’s mom says to Nathan, “You probably don’t remember me, but our daughter just found me.” If he doesn’t remember her, how would he know who “our daughter” is? How could he not remember the person with whom he’d fathered a child? Were they put together? Was it a test tube thing where they weren’t actually “together” together? Why did she sound so concerned about Claire finding her? Is this a bad thing? Was she not supposed to be found?

Will Jessica quash Niki completely and not let her back out? Can she control Niki in a way that Niki can’t control Jessica?

When Peter realized how to harness the powers of others without being in their presence, Claude had to knock him unconscious to stop Peter from being completely taken over by them. How will he figure out how to separate the powers? Will he eventually become like Sylar? Will seeing Simone and Isaac together begin Peter’s dark side?

When the heck will we see Linderman?? What will his power ultimately be?

Next week’s ep looks like more of the heroes will finally come together and two of them will square off against each other. With guns.

Saturday, February 03, 2007

WAAAAAAAH!!
Joss Whedon unveiled some sad news last night on Whedonesque. He's no longer helming the Wonder Woman film. According to MTV.com and EW, the studio quietly had two other writers working on the script at the same time, and they preferred that take on it.
:(
I was SO excited for this movie, and now I probably won't even bother. The last time a studio got rid of a Joss Whedon script to use another one, we ended up with the second two X-Men films. Yeesh. Ye shall be avenged, oh Great One.

Here's his post:

You (hopefully) heard it here first: I'm no longer slated to make Wonder Woman. What? But how? My chest... so tight! Okay, stay calm and I'll explain as best I can. It's pretty complicated, so bear with me. I had a take on the film that, well, nobody liked. Hey, not that complicated.

Let me stress first that everybody at the studio and Silver Pictures were cool and professional. We just saw different movies, and at the price range this kind of movie hangs in, that's never gonna work. Non-sympatico. It happens all the time. I don't think any of us expected it to this time, but it did. Everybody knows how long I was taking, what a struggle that script was, and though I felt good about what I was coming up with, it was never gonna be a simple slam-dunk. I like to think it rolled around the rim a little bit, but others may have differing views.

The worst thing that can happen in this scenario is that the studio just keeps hammering out changes and the writer falls into a horrible limbo of development. These guys had the clarity and grace to skip that part. So I'm a free man.

Well, sorta. There is that "Goners" movie I can finally finish polishing, and plenty of other things in the hopper I've wanted to pursue. I'm as relieved as I am disappointed, and both of those things lead to drink, so that's a plus. Truly, you may be hearing some interesting things brewing in the coming months. But all potential jets therein will be visible.

But most importantly, I never have to answer THAT question again!!!! And you don't have to link to every rumor site! Finally and forever: I never had an actress picked out, or even a consistant front-runner. I didn't have time to waste on casting when I was so busy air-balling on the script. (No! Rim! There was rim!) That's the greatest relief of all. I can do interviews again!

Thanks for your time. You are the people who make the world go 'round. Or, no, science does that.

-j.

ps All right, it was Cobie Smulders. Sorry, Cobes.

Friday, February 02, 2007

30 Rock: Black Tie
This week’s 30 Rock pushed the limits of the absurd, and was absolutely hysterical. While The Office was lackluster, with only a couple of funny moments, 30 Rock had me laughing out loud the entire episode. Jack takes Liz to a black tie event, the birthday party for Prince Gerhardt Hapsburg. Jenna crashes the party in the hopes of becoming his princess, but when he shows up he’s a severely deformed man in a wheelchair, played by none other than the brilliant Paul Reubens. Meanwhile, back at the office, Tracy is trying to get Pete to lighten up and be a “Samson” (which is a hilarious metaphor, since he was so easily emasculated by Delilah). At the party, Jack runs into his ex-wife, played by Isabella Rossellini, and the two of them onscreen together are magic. He’s still pining after her, believing she’s moved on, but she hasn’t, and instead is devastated to find that Liz is the love of his life (a ruse they’re carrying out at the party). When Liz finds this out, she walks up to Bianca to tell her that she and Jack are engaged, and the ensuing cat fight includes Liz having her strapless dress pulled down and a chunk of hair pulled out of her head. Jack is beside himself with joy. At the office, Pete decides he’s not a “Samson” and won’t give in to the women, and while Prince Gerhardt does have the hots for Jenna, he drops dead after imbibing champagne, because, as his assistant says, “His body cannot metabolize ze grapes!!” It was pure comedy gold.

My favourite lines:

Pete [on the phone to his wife]: YES, DEAR. Okay, who’s crying, is that Caleb? All right, I’ll try, put him on the phone. [Elmo voice] Elmo wants you to aim your pee-pee at the POTTY! No, not at Mommy, at the POTTY! [angry Elmo voice] How is that Elmo’s fault?! Did Mommy have some wine before she called Elmo??

Jack snapping the necklace box on Liz’s hand a la Pretty Woman, and her freaking out and holding her hand in pain, “Ow, GOD, who DOES that?!”

Liz to Jenna: How did you get in here?!
Jenna: Oh Liz, if you dress well and enter with confidence, you can get in ANYwhere.
Liz: You showed the security guy your boobs, didn’t you?
Jenna: Just one. It’s not the White House.

Gerhardt appears in a wheelchair, with one real hand, one tiny porcelain one, two short floppy legs, buck teeth, bowl cut hair: Thank you, thank you all dear friends… [screams maniacally] FOR COMING TO MY BIRTHDAY!!!!!!

**My favourite quote of the week**
Jack: That Gerhardt’s amazing, isn’t he? I mean, most people in his situation would be angry with their family for the centuries of inbreeding, but not Gerhardt. He’s too busy trying to stave off infection.

Bianca: Congratulations, John. She’s much sharper than the last girl you had, what was her name?
Jack: Beyoncé.
Liz: And, unlike the rest of Jack’s girlfriends, I have all my original parts!

Jack: Sexually, she wanted it 4, 5 times a day, always standing up.
Liz: Standing up? How does that even work??
Jack: You’re kidding, right?
Liz: [pause] Uh… yeah.

Jenna: Would you like to dance?
Gerhardt: Sadly because my body does not produce joint fluid, I cannot.

Jenna, on seeing the cake: You’re 25?!
Gerhardt: Yes, finally old enough to rent a car!! AAAHH! AAAHH! Oh, it feels good to laugh.

Pete’s in the bathroom, being tempted by one of Tracy’s girls. Kenneth appears in the vent.
Ken, bathed in white light: Mr Hornberger! You are making the biggest mistake of your life, don’t do it!
Tracy throws open the other vent, with red light behind him.
Pete: Oh, and I suppose you’re gonna to tell me NOT to do it.
Tracy: No, I’m just looking for the lobby, but YES you should do it!
Ken: No, you shouldn’t, think of your children.
Tracy: Be a Sampson!
Ken: Be a better man than this.
Tracy: She’s so SMOOTH!
Pete: I can’t do this. I love my wife. My wife is not a Delilah, Tracy.
Tracy: Hey, that’s beautiful. I feel you, home brother. What’s that tickling my feet? Ah ha ha!

Gerhardt: Knowing I have the love of a beautiful woman has set me free!
Jenna: I think you just lost an eyebrow.

In Liz’s apartment, Jack picks up a pair of Liz’s support undies, “What are these, your bike shorts?”
Heroes Ep 14: Distractions
If you haven't seen it already, here is the NBC promo for next week's episode of Heroes, which is called Distractions. It looks AWESOME.



Did you just get goosebumps??

Thursday, February 01, 2007

In the words of Bono, "Walk On"
For all the Veronica Mars fans out there, now's your chance to win a walk-on role on the show for only $25. The CW Network is offering the chance to win a role, while helping raise money for US war veterans. If you go here, you can see how to do it. Fill out the application form, send in $25 for each raffle ticket, and they'll eventually draw the name of the winner, which they promise will have some interaction with Veronica.

Oh, and this is for Americans only. I emailed them this afternoon to ask if Canucks could enter, and the guy checked with Warner and was surprised that they said no. I wasn't surprised. So Canadians are out, but I wish the best of luck to the American hopefuls who try. :)
LOST Announces Two-Hour Season Finale
ABC has just announced that the May 23rd finale of Lost will be two hours, which is consistent with the past two season finales. That would put this season at 23 hours, rather than 22. (Hmm... there's no instances of the number 23. Why does that number seem to familiar to me?)
For anyone worried about the airtime, it won't run until midnight (the rest of the season of Lost will be starting at 10 p.m. rather than 9 p.m. so the show doesn't compete with American Idol) but instead will start an hour earlier, airing from 9-11 p.m. EST, and 8-10 p.m. Central and Mountain Time.
Veronica Mars: Poughkeepsie, Tramps and Thieves
This week's episode had even better dialogue than the week before, and despite the Dean O'Dell story still being in the hands of Keith only (V just doesn't seem interested) it's getting off the ground a little bit, which is good. The "feminists" are still being demonized, which is unfortunate, but it's nice to see things a little more clearly. Also, I read yesterday that the actor who plays Weevil got sick in the summer, and his body reacted very badly to a treatment he was given, causing his face to bloat out and break into hives. He was self-conscious about it and didn't want to appear on the show until it cleared up, but they still needed to use him. That would explain why, in the fall, he looked like he'd gained 40 pounds and had been attacked by a swarm of bees. But he looked great on this week's ep.

Max didn't leave much of an impression on me the first time I saw him, but he was great last night. I liked that he was right about Chelsea, despite all the odds stacked against him. The bedroom talk between V and Logan was angst-ridden, and points to greater issues that will continue to dog them in weeks to come. The banter between V and her dad was pretty hilarious, and I LOVED her handing him the CD player and telling him to thrust his groin toward the bride-to-be when she saw him wearing the sheriff's uniform. The sheriff was back, but underused (I'd like to see more of him in upcoming eps, though I do understand that with Keith no longer a part of the sheriff's office, and no longer a suspect in anything, there isn't a LOT of reason for them to be hanging around there.

Downsides: No Mac, no Wallace, and most of all, no Piz. :(

Best moment: The discussion between Max and Veronica when he explains how he first met "Chelsea." Max tells Veronica that the love of his life is getting married. He doesn’t know where she lives, or her phone number, or even her name, but if V doesn’t find her, he’s going to take a bath with his blow dryer. Veronica asks the natural question: Does she know that YOU exist?

Max: Yes. We met at this convention thing, we got to talking, we hit it off, we ended up sitting up all night in my hotel room talking about life, the big picture, we connected on some higher plane. Last names at that point seemed trivial.
V: Uh huh, so what was the convention? Is there actually a fake term paper and stolen test provider UNION?
M: It was Comic Con.
V: You didn’t get all sweaty in your Wookie suit, did you?
M: Yuk it up. You know, it’s not all Trekkies and Star Wars. I was there because Dave Gibbons has a new graphic novel that he scripted as well as drew.
V: Sounds cooler now! So, about the one that got away. She was dressed as a Cylon and you only knew her as Six, right?
M: Her name was Chelsea. And she was in regular clothes. And yeah, after the Dave Gibbons thing I may have drifted into the Battlestar Galactica session and yeah, that’s where we met. And okay, we started out talking about how the Cylon raiders on BSG look like Batman’s car when it turns into a plane. But THEN we started talking about our crappy relationships with our parents, and Chuck Klosterman, and moral gradings.
V: And how when you see a plastic bag flying around you think there’s so much beauty in the world you can’t take it?
M: You get the picture.
V: I do. Connection. Higher plane. Then you frakked.
M: No. Sex was hardly the point. What we had was better.

Apparently, not only does V know how to use "frak" properly in a sentence these days, but she's actually watching the show!

Wednesday, January 31, 2007

Today's Stuff

First of all, I just realized that my previous post to this one was my 100th post. Yay! *Sniffle* First, I'd like to thank my parents for putting me on this earth. Secondly, to the fans, who have always... hey... come ON I just got up here, you can't start playing the music YET!! Oh COME ON, all I want to do is [bleep] thank the [bleep] people who got me here, and you mother[bleeeeeeeeep] are playing me off? Whatever.

[The last acceptance speech Nikki Stafford ever gave.]

Ahem. So, first on the agenda, HUGE excitement from me today: FX has announced that April 3rd will be the return date for season 6 of The Shield. I LOVE this show. I know people love House because he's such a nasty and unlikable guy, and therein lies his likability. But no, give me Vic Mackie any day. This show is dark, violent, graphic, and there have been times when I've actually looked away (like when the guy had his face pressed against an element on the stove that was turned on high.... that'll leave a mark). But it's brilliant, and no one plays nasty like the wonderful Michael Chiklis. I cannot WAIT for this show to come back. The no-doubt future Oscar winner Forest Whitaker will be reprising his role in a few episodes.

On Whedonesque today, someone posted an article where Kristen Bell of Veronica Mars was asked if she'd like to have Sarah Michelle Gellar on the show, and she said absolutely (Um... what else COULD she have said?) The article sparked a huge response from the Whedonverse community on there, talking about how disappointing the show has become, how they've lost sight of what they'd set up in season 1, and even elicited a remark from Michael Muhney, who plays Sheriff Lamb (i.e. one of Veronica's nemesisisisss, who has been underused this year). He posted simply: "There is so much truth in many of your posts...you have no idea. I wish I could expound." Crikey. What is going ON over there? I really hope VM gets a chance to redeem itself with a fourth season, rather than being remembered for its disappointing third.

On CanMag, you can read a brief interview with Yunjin Kim confirming another Sun and Jin flashback in the 16 eps of Lost that are upcoming, but I couldn't help feel uncomfortable with their choice of title on the article. "Yunjin Kim says 'Me So Lost'"?? Uh.... Is Michael Scott writing headlines for them now?


Speaking of Michael Scott, J.J. Abrams is currently shooting the next episode of The Office, so watch for a blog from Pam to appear soon (since the others either don't really update theirs, or they talk about non-Office stuff, or, in the case of BJ Novak (Ryan), post to tell people to back off on recommending The Wire to him. Ok, BJ, you can calm down now.)
Nikki Asks the Hard-Hitting Questions
For the next week I'm going to be featured on Yahoo! Canada's Answers page as asking a "celeb" question (that still makes me giggle). My question is about the fate of endangered waterfowl and how it's affecting our larger ecosystems... ok, seriously, it's about Lost. I know, I know, the former is what's expected of me, but I decided to ask outside the box on this one.

You can see my question here, and respond to it. I'll be choosing the winning answer on February 7th, to correspond with the return of a certain show, and the winner will get 10 points on the answers page or something. (Originally it was a copy of the book, but there was something about privacy laws and how we couldn't actually ask for contact info of the winners and such, so that went out the window.) But, um, how about whoever answers the question and brings 200 people to my blog regularly, I'll happily send you an autographed copy of my book! :) The race is ON!

They've also posted a blog on me and my Lost book here. And I'd been planning on doing a big TA DA! on my blog, but I'll just do a little one: I've just signed a contract to write season 3 of Finding Lost for publication this October. I'll post the cover here as soon as it's finished.

So head on over and post your responses!! The next week on Nik at Nite will be very Lost-related, so consider this the kickoff to counting down until the return of LOST!

Monday, January 29, 2007


Heroes: The Fix
I just watched this week's ep of Heroes (sorry I didn't post on last week's; I was on vacation, and by the time I saw it I figured it's been all talked out already). This will be a brief post; I'll do a longer post on it later this week.

Invisible Man: Loved the scene of him fighting with Peter and no one able to see them. This is such an intriguing new character on the show. Will he be able to help Peter? Will he reveal to him that he's actually an alien? Is TARDIS parked in the back alley somewhere? Eccleston is SUCH a great actor, and I love him in this role.

Clare: Not too much happened between her and the Haitian (am I the only one who wants to pronounce that Hay-tee-an like Cher in Clueless??) other than exactly what they discussed last week, but it's really nice to see her and Zach being friends again. The ending of the episode was pretty awesome, with her finding her Firestarter Mommy.

Matt: "Yay! You're pregnant! This is awesome timing! Not only do I not have a job right now, but we were JUST about to break up. Wow. This will totally save the marriage." Here's hoping the baby possesses super crazy powers.

Micah: Someone posted a comment on here back in December that they thought Micah's power was the manipulation of electronics, and that would appear to be the case with this ep. Good timing, too... just as his dad was about to send him out for a factory job.

DL: Cool that he was able to move through the padded cell walls like that, but where did he go? Didn't anyone else see him coming through the other side? Can he just melt into the wall and actually move sideways through them? Not quite clear.

Nikessica: So far we've never seen her bring forth Jessica willingly, I don't think. She's saying she's trying to keep her down, but is she able to will her into existence? (Or perhaps she's been willing her into existence every time, and just doesn't want to admit to herself that she's been doing it consciously.)

Sylar: Freakiest. Ending. Ever. I LOVED the line, "How's Clare?" It made me scream. How was he able to convince the doc he was dead? Does it have anything to do with that cockroach we saw scuttling by him last week?

Hiro/Ando: LOVED that the Boss was actually his father, and loved even more that it was George Takei. I've met Takei on a couple of occasions, and he's truly lovely, and adores being adored by sci-fi fans. Now he has one more show to add to his genre belt.

From last week, I have to mention what I think is one of the funniest Hiro scenes yet: when he's chatting with Nathan and he does the SWOOSH in the air with his hand to indicate Nathan flying, and Nathan says, "Keep it down" and he holds his hand lower and does it again. Awesome.

So this is just me scratching the surface, let's discuss.

On a completely different note (but in a Takei vein), if you want to see a HILARIOUS sendup of Star Trek fandom, check out this clip from The Daily Show from a couple of weeks ago. When Rep. David Wu pronounces there are fake Klingons in the White House, The Daily Show did the obvious -- they invited Nimoy and Takei onto the show, and the result is one of the funniest clips they've done in weeks.



Joss Whedon + The Office = GOLD
Sometimes the planets align just right, and two things of absolute beauty come together in a way we might never have imagined. Such is the case with the now confirmed news that Joss Whedon has directed an episode of The Office, which will be airing during February sweeps. Now, the episode wasn't written by him, which is a damn shame, but maybe that will happen for a future episode if this one goes well. But hey, I'm willing to take this.

For some more information on the shoot from the people who are on the show, you can check out the blog of Bealsebub, who is a production assistant on the show (the photo used with this entry is his: that's Joss in the red hat, Ryan in the coat next to him, and Steve Carell is two people away from them). You can read his post here, where he talks about how much fun it was working with Joss, and how Joss even called the guy's mom to wish her a happy birthday. All together now, "Awwwwww!"
Jenna Fischer, who plays Pam, blogs all the time during filming (the computer you see in front of her on the show is real, hooked up to the Internet, and she and others are often blogging for real), and in her recent post she talks about Joss being on the set, and how he was giggling like a girl at the dailies (she meant that in a good way). Joss, who read her post when it was mentioned on Whedonesque, then posted the following on the site:
Well, I just got back from my last day of shooting. And already, rumors are flying. Jenna is terribly sweet but her eyesight and hearing are, well, dodgy. I clearly remember standing with excellent posture, arms akimbo and fists at my hips, throwing my head back and laughing a manly, one might almost say Viking laugh. Yes, that's how it was. Ha-HA!

You know those press releases where everyone gets mentioned and everyone's really nice and talented and it's clearly some studio wash? That's pretty much what this post is gonna read like. That show is stuffed with talent, efficiency and sweetness from the tippity-top to the lowly bottom, which in most cases would be the visiting director. It was crazy. I kept waiting for someone to be off, or mean, or limited... all anybody in the staff, the cast or the crew met me with was excellence. Ridiculous excellence. Reminds me of a show about a spaceship I worked on, only on this show the executive producer seems to be sane, which is quite frankly a little unseemly. Gak. I can't even start. I can't name a single person, not so much as a grip, 'cause the list of love would just eat up my weekend. (All right, I'll mention Jenna. Despite her failing senses, she is dazzling to work with. But you know, there's also -- no! Be strong!) All I can say is, I was well housed. I didn't write the ep (Brent Forrester did, who is so -- I'm strong! Not listing!) (He's awesome!) (Shut up!) (You're not the me of me!) Sorry. Dizzy. Didn't write the ep, and if I did my job right, no one will be able to tell I directed it (despite an odd, and as God is my hostile witness, TOTAL coincidence...), yet I was allowed to collaborate and feel like a well oiled cog in this perfectly working machine, and I'm pretty sure I'm reconsidering ever describing myself as 'well-oiled' again. (Hggh.) This is how TV should be made, and the proof of that comes weekly. What a rush.

One day I'll gab about it at length, but not today. I'm exhausted. I have so many crushes I have to lie down. And then write an X-men. Eat, I should probably eat.

Being lucky is so much more fun when you know it. Leave me!

Seriously, how awesome is Joss? I cannot WAIT for this episode. And the following week's episode is apparently going to be directed by J.J. Abrams. The TV gods are smiling on me. What's next, the return of Buffy?

Thursday, January 25, 2007

Lost Moment #10
Just for consistency's sake, I'm posting this. Another non-moment.

"Monkey?" "As in...'Touch my'"
Veronica Mars returned this week, and the show was in superb form. The episode put more of a focus on Mac, who is such a great characters, and was underused in the first part of the season. A new guy, Bronson, has his eye on Mac, and while she's a little slow on the uptake, she finaly sees what's in front of her.

There was a moment in this episode that made me think of Buffy, and I wonder if anyone else did at the same time: Veronica and Mac are walking across the campus toward the announcement board, joking about how Veronica's going to try to save a little monkey with a banana, and all I could think of was they are totally Buffy and Willow. Same jokiness, same nervousness in Willow/Mac, same hairstyle with V/B... And then I found this online today, where Michael Muhney (who plays the cocky sheriff) was posting about how much he loves Firefly, and it was like a total merge of Joss/Rob Thomas worlds.

The mystery of the week involved a missing monkey from the school's science lab, and the suspicion of a college animal rights group called PHAT (People for Human Animal Treatment), which Veronica mishears as FAT and wonders aloud if the "fat" people stole the monkey because it was delicious. It was just one of the many moments in the episode that had me laughing out loud. Others:
"Where did you get the rats?"
"They just showed up at my door."
"Oh, like in a tiny van with a sob story about needing a place to crash?"

Veronica, Parker, and Mac pretending to be sorority sisters in love with the redneck huntin' rock singer, and Mac being a really bad actress: "Uh... the second amendment is TOTALLY my favourite." Then dressing him up in a "Meat is Murder" t-shirt without him knowing it.

Dick photographing his namesake and throwing the polaroids off the balcony, and Logan's response, "I think I told you that management asked that you stop doing that." And then talking about the Zach Braff movie Garden State as if it were a book.

OK, so they went for the obvious jokes when making fun of Canada -- the photo of a moose, Mac saying "eh," Veronica saying "aboot" (we do NOT say aboot... Americans say abowt), and playing The Barenaked Ladies -- but hey, I still found it hilarious. And then, I'm sure, the joke about the Hoff seriously offended a friend of mine (don't worry, K, I was laughing... um.... AT the joke, not with it?)

The overarching mystery is off to a bit of a slow start, and I thought Keith was a little thick walking into a bar in a town where he used to be sheriff, then became a bestselling author with his mug on the television every single night because of his role in the highest-profile case in Neptune EVER, and he tries to put one over on a guy who's lived in Neptune for several years and teaches criminal profiling. Duh.

Of course, the ending had me yelling at Veronica to wake up and stop making the same mistake again. Which is really weird, because a year ago I was yelling at Veronica to kiss Logan, kiss Logan, KISS LOGAN! And now I'm just watching her in the same pattern she always follows. See, a year ago, there was no Piz. And I love Piz. He's cute, funny, and has the best way with words, and is perfect for Veronica. Maybe too perfect? They say opposites attract and all that, but Piz is just so supersweet. And, in the end, he gets the final, perfect zinger.

Logan, canoodling Veronica: Hey Piz, what's new?
Piz: Nothing, apparently.